Composer-performer Nick Bentz seeks to find relationships across time and space through his fascination with historical objects and cultural throughlines. His work has responded to subjects as diverse as anthropology, astrophysics, cinema, neuroscience, and video games. Nick has written for the Charleston Symphony, Occasional Symphony, yMusic, and SONAR New Music Ensemble, and has had his music played by the Jacksonville Symphony, USC Symphony, and the Peabody Modern Orchestra. Winner of the 2020 Tribeca Young Composer's Competition and the American Prize in Composition, Nick was the recipient of an EarShot New Music Reading through American Composer’s Orchestra and the Sadye J. Moss Prize from the University of Southern California. His music has been featured at the Piccolo Spoleto Festival, New Music on the Point, and Sounding Now Festival in Singapore. Nick is currently a composition teaching artist fellow with the Los Angeles Chamber Orchestra.
As a violinist, Nick has soloed with the Charleston Symphony Orchestra, Thornton Edge, and the Pacific Philharmonic. He has also performed with the Moscow Symphony Orchestra. Nick attended the Aspen Music Festival and School for seven summers, and was chosen as a finalist for the Dorothy DeLay Fellowship Competition in 2012. Nicholas has participated in masterclasses with Alexander Kerr, Victor Danchenko, and Vadim Gluzman. An avid interpreter of new music, Nick has commissioned and premiered over thirty pieces ranging from chamber and solo pieces to concerti and multimedia works.
Nick earned a master's degree in composition from the University of Southern California and a bachelor's in violin and composition from the Peabody Conservatory. His mentors include Donald Crockett, Ted Hearne, Andrew Norman, Felipe Lara, Kevin Puts, and Yiorgos Vassilandonakis. His violin teachers include Lina Bahn, Herbert Greenberg, Yuriy Bekker, Espen Lilleslåtten, and Diana Cohen.