Large Ensemble

A Cosmos in Stone, Respawning (2018) - 15'
    for orchestra (2+picc.2+eh.2+bcl.2+cbsn-4.3.2+bass.1-timp.3perc.pno-hp-str)
    or chamber orchestra (1.1.1.1-1.1.1.0-timp.1perc.pno-1.1.1.1.1)

Korngold Goes to Nikkatsu (2017) - 8'
    for orchestra (2+picc.2+eh.2+bcl.2+cbsn-4.3.2+bass.1-timp.3perc.pno/cl/el.organ-hp-str)

Approaching Eternity (2014-16) - 55'
   for chamber orchestra (1.1.1.1-2.0.1.0-1perc.pno-4.3.3.2.1)

Dismantled Embankments (2014-15) - 8.5'
   for ten instruments (1.1.1.0-0.1.0.0-1perc.pno-1.1.1.1.0)

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Small Ensemble

Glimpse (2018-) - ~10'
    for clarinet, violin, cello, and piano

a night sky consumed in light (2015) - 9.5'
   for oboe, trumpet, and piano trio

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Vocal

Mikylvxka Hllupo (2017) - 15'
    for bass and pierrot ensemble
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In the Harshest of Winters (2014-15) - 15'
   for mezzo-soprano and piano

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Solo and Duo

Enchiridion (2017) - 4'
     for solo viola
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for a moment I could not see a thing in this expanse of glare (2017) - 10'
    for soprano saxophone and piano

Hence, I speak to you now... (2016) - 9'
   for flute and piano 
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Enûma Eliš  (2013) - 16'
   for solo percussion

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Arrangements

'Mint Julep' from Southern Comforts (2015) - 5'
   arrangement (after Joel Puckett) for solo violin and chamber ensemble (0.1.2.1-1.0.0.0-2perc.pno-1.0.1.1.1)
   commissioned by Symphony Number One and Light City Baltimore

Les Baricades Mystérieuses (The Mysterious Barricades) (2014) - 3'
   arrangement (after Couperin) for alto flute, clarinet, vibraphone, viola, and cello
   commissioned by SONAR New Music Ensemble
   Winner of SONAR New Music Ensemble's RADARLab Composition Competition