Large Ensemble
A Cosmos in Stone, Respawning (2018) - 15'
for chamber orchestra (1.1.1.1-1.1.1.0-timp.1perc.pno-1.1.1.1.1)
Korngold Goes to Nikkatsu (2017) - 8'
for orchestra (2+picc.2+eh.2+bcl.2+cbsn-4.3.2+bass.1-timp.3perc.pno/cl/el.organ-hp-str)
Approaching Eternity (2014-16) - 55'
for chamber orchestra (1.1.1.1-2.0.1.0-1perc.pno-4.3.3.2.1)
Dismantled Embankments (2014-15) - 8.5'
for ten instruments (1.1.1.0-0.1.0.0-1perc.pno-1.1.1.1.0)
for chamber orchestra (1.1.1.1-1.1.1.0-timp.1perc.pno-1.1.1.1.1)
Korngold Goes to Nikkatsu (2017) - 8'
for orchestra (2+picc.2+eh.2+bcl.2+cbsn-4.3.2+bass.1-timp.3perc.pno/cl/el.organ-hp-str)
Approaching Eternity (2014-16) - 55'
for chamber orchestra (1.1.1.1-2.0.1.0-1perc.pno-4.3.3.2.1)
Dismantled Embankments (2014-15) - 8.5'
for ten instruments (1.1.1.0-0.1.0.0-1perc.pno-1.1.1.1.0)
Small Ensemble
Glimpse (2018-) - ~10'
for clarinet, violin, cello, and piano
a night sky consumed in light (2015) - 9.5'
for oboe, trumpet, and piano trio
for clarinet, violin, cello, and piano
a night sky consumed in light (2015) - 9.5'
for oboe, trumpet, and piano trio
Vocal
Mikylvxka Hllupo (2017) - 15'
for bass and pierrot ensemble
Headfirst (2016-17) - 8'
for mezzo-soprano and orchestra (2+picc.2+eh.2+bass.2+cbsn-4.3.2+bass.1-timp.2perc-pno.hp-str)
In the Harshest of Winters (2014-15) - 15'
for mezzo-soprano and piano
for bass and pierrot ensemble
Headfirst (2016-17) - 8'
for mezzo-soprano and orchestra (2+picc.2+eh.2+bass.2+cbsn-4.3.2+bass.1-timp.2perc-pno.hp-str)
In the Harshest of Winters (2014-15) - 15'
for mezzo-soprano and piano
Solo and Duo
Enchiridion (2017) - 4'
for solo viola
for a moment I could not see a thing in this expanse of glare (2017) - 10'
for soprano saxophone and piano
Hence, I speak to you now... (2016) - 9'
for flute and piano
Enûma Eliš (2013) - 16'
for solo percussion
for solo viola
for a moment I could not see a thing in this expanse of glare (2017) - 10'
for soprano saxophone and piano
Hence, I speak to you now... (2016) - 9'
for flute and piano
Enûma Eliš (2013) - 16'
for solo percussion
Arrangements
'Mint Julep' from Southern Comforts (2015) - 5'
arrangement (after Joel Puckett) for solo violin and chamber ensemble (0.1.2.1-1.0.0.0-2perc.pno-1.0.1.1.1)
commissioned by Symphony Number One and Light City Baltimore
Les Baricades Mystérieuses (The Mysterious Barricades) (2014) - 3'
arrangement (after Couperin) for alto flute, clarinet, vibraphone, viola, and cello
commissioned by SONAR New Music Ensemble
Winner of SONAR New Music Ensemble's RADARLab Composition Competition
arrangement (after Joel Puckett) for solo violin and chamber ensemble (0.1.2.1-1.0.0.0-2perc.pno-1.0.1.1.1)
commissioned by Symphony Number One and Light City Baltimore
Les Baricades Mystérieuses (The Mysterious Barricades) (2014) - 3'
arrangement (after Couperin) for alto flute, clarinet, vibraphone, viola, and cello
commissioned by SONAR New Music Ensemble
Winner of SONAR New Music Ensemble's RADARLab Composition Competition