Selected Works
scores/parts available upon request
Large Ensemble
A Cosmos in Stone, Respawning (2018-19) - 11'
for orchestra (2+picc.2+eh.2+bcl.2+cbsn-4.3.2+bass.1-timp.3perc.pno-hp-str)
or chamber orchestra (1.1.1.1-1.1.1.0-timp.1perc.pno-1.1.1.1.1)
Korngold Goes to Nikkatsu (2017) - 8'
for orchestra (2+picc.2+eh.2+bcl.2+cbsn-4.3.2+bass.1-timp.3perc.pno/cl/el.organ-hp-str)
for orchestra (2+picc.2+eh.2+bcl.2+cbsn-4.3.2+bass.1-timp.3perc.pno-hp-str)
or chamber orchestra (1.1.1.1-1.1.1.0-timp.1perc.pno-1.1.1.1.1)
Korngold Goes to Nikkatsu (2017) - 8'
for orchestra (2+picc.2+eh.2+bcl.2+cbsn-4.3.2+bass.1-timp.3perc.pno/cl/el.organ-hp-str)
Small Ensemble
Atmospheric Entry (2019-) - ~8'
for eight amplified violins and electronics
Compressor (2019) - 6'
for flute, clarinet, trumpet, and string trio
Glimpse (2018-19) - 10'
for clarinet, violin, cello, and piano
for eight amplified violins and electronics
Compressor (2019) - 6'
for flute, clarinet, trumpet, and string trio
Glimpse (2018-19) - 10'
for clarinet, violin, cello, and piano
Vocal
Having Guests for Dinner (2019-20) - 16'
one-act opera for three singers and piano
to not walk upside down in the realm of the dead (2019) - 4.5'
for soprano, violin, cello, and percussion
one-act opera for three singers and piano
to not walk upside down in the realm of the dead (2019) - 4.5'
for soprano, violin, cello, and percussion
Solo and Duo
Hence, I speak to you now... (2016) - 9'
for flute and piano
Enûma Eliš (2013) - 16'
for solo percussion
for flute and piano
Enûma Eliš (2013) - 16'
for solo percussion