NICK BENTZ
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  • Home
  • Bio
  • Compositions
  • Repertoire
  • Audio/Video
    • Composition
    • Violin
  • Contact

​Selected Works

scores/parts available upon request

Large Ensemble

A Cosmos in Stone, Respawning (2018-19) - 11'
    for orchestra (2+picc.2+eh.2+bcl.2+cbsn-4.3.2+bass.1-timp.3perc.pno-hp-str)
    or chamber ensemble (1.1.1.1-1.1.1.0-timp.1perc.pno-1.1.1.1.1)

Korngold Goes to Nikkatsu (2017) - 8'
    for orchestra (2+picc.2+eh.2+bcl.2+cbsn-4.3.2+bass.1-timp.3perc.pno/cl/el.organ-hp-str)

Small Ensemble

Atmospheric Entry (2020) - 8'
    for eight amplified violins and electronics
​
Compressor (2019) - 6'
    for flute, clarinet, trumpet, and string trio

Glimpse (2018-19) - 10'
    for clarinet, violin, cello, and piano

Vocal

please continue (2020) - 16'
    for soprano, double bass, and electronics

Having Guests for Dinner (2019-20) - 16'
    one-act opera for three singers and piano

to not walk upside down in the realm of the dead (2019) - 4.5'
    for soprano, violin, cello, and percussion

Solo and Duo

fitful machinery (2020-21) - 7'
​     for glockenspiel and electronics
​
Hence, I speak to you now... (2016) - 9'
   for flute and piano 
​
Enûma Eliš  (2013) - 16'
   for solo percussion

Other / Collaborative

2020, Fall Threat (2020) - 7'
     for fixed electronics (video collaboration with Sicheng Wang)
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